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Pixel size, F-stop, and resolution

        There has been a good bit of discussion about the practical value of pixels on a sensor that are smaller than the size of a diffraction spot.  It turns out that the size (diameter) of a diffraction spot measured in microns, e.g. the size of the image of a star taken with a diffraction limited lens, is about 35% larger than the numerical value of the F-stop used.  One view is that the best resolution is obtained when the diffraction spot diameter is about equal to the pixel diagonal (1.414 x pitch) or the F-stop is about equal to pixel width (pitch), and that the pixels are wasted when larger F-stops (smaller apertures) are used.  Another view, is that, in the presence of diffraction broadening, pixels smaller than the F-stop by a factor of two or three give an advantage in resolution over pixels that match the F-stop.  When the F-stop is larger than the pixel size by factors of five or more, I think everyone agrees that pixel size has essentially no effect on resolution.

        Do these considerations have any practical consequences for photographers?  In fact they do in situations where lenses are stopped down to increase the depth-of-field (DoF).  To be precise, a circle of confusion (CoC) must be selected in order to compute the DoF.  The traditional method has been to select a CoC based on the acuity of the human eye and the size of the final print.  For example, a typical choice is use a CoC that is equal to the diagonal divided by 1500.  Another choice, that has some merit in digital photography, is to set the CoC equal to the pixel size and to demand maximum resolution at the expense of DoF.

     But suppose that the photographer compromises on resolution in favor of DoF and uses an F-stop that is perhaps 3 times the pixel size.  What would be the effect on resolution if his pixels were larger so that the F-stop was only twice the pixel size?  I have tried to answer this question with some simple experiments.  I used both a Canon 10D (pixel width = 7.38 microns) and a Canon Rebel XTi (pixel width = 5.74 microns) to photograph a portion of a standard resolution test chart containing vertical lines with gradually decreasing spacings.  In the image on the sensor, the lines at the right end had spacings of about 13.9 microns.  A Sigma 105mm macro lens was used and the F-stops ranged from 4 to 32.  Also, the cameras were mounted on a steady tripod, mirror lockup was selected, and RAW images were acquired.  In the Adobe Camera RAW conversion the default sharpness and the color noise reduction were both set at 25

     The cropped results are shown in Figure 1 (10D) and Figure 2 (XTi).   I conclude that the XTi provides more resolution from f/4 to f/22, but at f/32 the pixel size makes no contribution to resolution.  Even at F/22 the XTi yields better resolution than the 10D, or pixels four times smaller than the F-stop are better than pixels three times smaller.  I think that this is an example of the advantages of over sampling that has been discussed by Wallis.  Unfortunately, the properties of the anti-aliasing filters used in the cameras is not known.
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Comments:

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Posted by SURAPON SUJJAVANICH on February 16, 2007 at 06:10 PM EST #

Surapon, thank you for your kind words. I think you know a lot about photography, and I hope you will make comments from time to time. You can also send them directly to: csjj36 at earthlink.net

Posted by charles on February 19, 2007 at 03:58 PM EST #

Were your tests normalized to use the same number of pixels for both shots or were both shots taken from the same distance? From your results I would guess the latter. Using the Sigma SD10 and binning and using Koren's chart I photographed the chart so that both shots (normal resolution and low resolution (2x2 binning)) used the same number of pixels to capture the image of the chart rather than shooting both from the same distance. This should give a truer picture of the relationship between pixel size and diffraction. Doing so I found that larger pixels allowed larger fstops and more dof with less resolution loss which is exactly what one would expect as the airey circle approaches the size of the pixel. The disadvantage of course is that the larger pixeled sensor would have to be 4x as large in area to capture the same image. BTW, I used Koren's chart and the imageJ tool to analyze the chart to deduce the differences rather than my eyes. I also shot through a bellows using a 90mm Schneider digitar lens. More here:http://forums.dpreview.com/forums/readflat.asp?forum=1027&message=20632314&changemode=1

Posted by Mike on February 26, 2007 at 04:15 AM EST #

Mike, I just found your comment. It was blocked by the site because of size, and I did not get an email message about it. That problem should be fixed now. You are right. I photographed the chart from the same distance with both cameras. I think that was appropriate for what I wanted to show. Namely, everything else being equal, the higher pixel density (over sampling) does a better job of resolving a diffraction broadened image. This is what Wallis reported: http://geogdata.csun.edu/~voltaire/pixel.html

Posted by Charles on February 27, 2007 at 12:48 AM EST #

Just a quick question. At what point (f-number) does diffraction become a problem for APS-C sized DSLR's? To be more specific, a 23.5mm x 15.7mm sensor with 10.75 million pixels (Pentax K10D). Thanks, Nathan.

Posted by Nathan on March 05, 2007 at 08:28 AM EST #

Nathan, please check my latest posting, "Lens Equivalents," on March 4. The XTi should be roughly equivalent to the K10D. Basically, up to f/11 was perfect, and f/16 showed very little diffraction broadening. If you need depth-of-field, you should use up to f/16. Or, if you value depth-of-field more than resolution, go to f/22 or higher.

Posted by Charles on March 05, 2007 at 01:11 PM EST #

Yes, your estimations seem to be fairly accurate. I did some of my own tests, and I would say that diffraction becomes noticable after F11, but doesn't really start kicking in until F16. I think the best possible compromise between resolution and depth of field is either F13 or F14 (in my case anyway). Therefore, I limit myself to a maximum of F14, and this would be true for most of the 10MP DSLR's including the Nikon D80 and the Canon 400D. Thanks, Nathan.

Posted by Nathan Brown on March 06, 2007 at 07:01 AM EST #

It seems to me that Chapter 19 about the creation of art is not science. Doesn't one have to understand DoF to use stacking programs. Without that understanding, the final image might come in and out of focus with focus distance.

Posted by Howard Smith on January 21, 2009 at 02:45 PM EST #

Howard, an up-to-date TOC was published on this Blog on Jan 10. Chapter 18 is about the creation and appreciation of art in photography. I have not published that chapter on line yet, though Michael Richmann has expressed interest in publishing it as a Recent Highlight. It is all about the brain and about the way the mind responds to various images. We can discuss it later after it is published one way or another. Concerning stacked images to increase the apparent depth of field, one just needs to take enough images so that their DoFs overlap. If each has a large DoF, then not many are needed.

Posted by Charles on January 21, 2009 at 07:30 PM EST #

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